Capitol Reef & Utah Badlands Photography & Drone Photo Workshop

Avatar Photo of Jennifer King Photo Workshops

Explore the rugged landscapes of Capitol Reef and the Utah Badlands while photographing colorful desert formations, slot canyons, autumn color, and striking abstracts. This small-group workshop combines traditional and drone photography, with 2 instructors for personalized instruction for every experience level and photographic interest.

01 Nov 2026 - 05 Nov 2026   | 7:00 pm - 10:00 am

$2800

Hanksville, UT, USA

All Skill Levels

BOOK NOW


Capitol Reef & Utah Badlands Photography Workshop Details



The Utah Badlands & Capitol Reef National Park are home to some of the most raw, rugged and unique landscapes in our country. This is also a location that currently allows drones in certain areas. We will combine still photography and drone photography for different locations throughout the workshop. New to drones? Randy Wilson is a  drone photographer and can help you learn your equipment and get the perfect aerial photos! Not interested in drone photography, Jennifer will be there to help you create the most beautiful landscape and abstract photos!


Factory Butte, Moon Overlook, The Dark Spires and The Temple of the Sun & Moon are just a few of our photo locations. Capitol Reef NP is just down the road, and is colorful this time of year. Cottonwoods and tall grasses have warm autumn tones and offer many photo opportunities. We will have sunrise and sunset sessions, still and drone photo sessions, plus creative and abstract sessions. We will also explore and photograph a nearby slot canyon plus create landscapes and abstracts at Goblin Valley State Park.


What to Bring

Equipment & Gear List

Notes

Please review our cancellation & refund policy as there are non-refundable and non-transferable fees.

 

About the Author

VIEW PORTFOLIO
Avatar Photo of Jennifer King Photo Workshops

Jennifer King Photo Workshops

North Carolina

I still remember what it was like to learn photography, and I remember the struggles. Why is an f-stop also called aperture? Why is exposure time also your shutter speed? Interchangeable words for the same photographic term can be confusing, not to mention frustrating when all you want to do is become a good photographer. I am sensitive to this and the insecurity it creates in your photographic journey. I’ve spent years refining how I teach photography—making both the technical and creative aspects easier to understand while creating a supportive environment where photographers can learn, experiment, and grow.

For more than 14 years, I have photographed and taught in landscapes I know intimately. Knowing these locations allows me to do more than guide you to a beautiful view. I can help you anticipate the light, recognize creative possibilities, and slow down long enough to make thoughtful photographs that feel like your own.

Since 1994, I have worked as an art director, creative director, and director of photography. These roles taught me how ideas develop, how individual elements come together to strengthen an image, and how to guide someone toward a creative solution without taking away their own voice. That experience continues to shape the way I teach today. I don’t want to tell you what to photograph—I want to help you recognize what draws you to a scene and express it in a way that feels personal to you.

Visit Website
BOOK NOW

01 Nov 2026 - 05 Nov 2026   | 7:00 pm - 10:00 am

$2800

Hanksville, UT, USA

All Skill Levels

BOOK NOW

About the Author

VIEW PORTFOLIO
Avatar Photo of Jennifer King Photo Workshops

Jennifer King Photo Workshops

North Carolina

I still remember what it was like to learn photography, and I remember the struggles. Why is an f-stop also called aperture? Why is exposure time also your shutter speed? Interchangeable words for the same photographic term can be confusing, not to mention frustrating when all you want to do is become a good photographer. I am sensitive to this and the insecurity it creates in your photographic journey. I’ve spent years refining how I teach photography—making both the technical and creative aspects easier to understand while creating a supportive environment where photographers can learn, experiment, and grow.

For more than 14 years, I have photographed and taught in landscapes I know intimately. Knowing these locations allows me to do more than guide you to a beautiful view. I can help you anticipate the light, recognize creative possibilities, and slow down long enough to make thoughtful photographs that feel like your own.

Since 1994, I have worked as an art director, creative director, and director of photography. These roles taught me how ideas develop, how individual elements come together to strengthen an image, and how to guide someone toward a creative solution without taking away their own voice. That experience continues to shape the way I teach today. I don’t want to tell you what to photograph—I want to help you recognize what draws you to a scene and express it in a way that feels personal to you.

Visit Website