Grand Tetons: Grand Landscapes Photo Workshop

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Explore the breathtaking landscapes of Grand Teton National Park during this intimate, 4-day photography workshop. With personalized, hands-on instruction from Jennifer, you’ll photograph iconic views and lesser-known locations while strengthening your composition, camera skills, and creative vision.

16 May 2027 - 20 May 2027   | 7:00 pm - 10:00 am

$3000

Jackson Hole, Wyoming, USA

All Skill Levels

BOOK NOW

Elevate your landscape photography with hands-on instruction in the heart of Grand Teton National Park


Discover why Grand Teton National Park is one of the world’s premier destinations for landscape photography. Towering peaks, pristine alpine lakes, vibrant wildflowers, winding rivers, and abundant wildlife create endless opportunities to capture unforgettable images in every direction.


With more than 15 years of leading workshops in the Tetons—and decades of photographing this remarkable landscape—Jennifer will guide you to both iconic viewpoints and lesser-known locations, helping you make the most of changing light and dramatic scenery. Throughout the workshop, you’ll receive personalized instruction on composition, camera techniques, and creative vision while exploring the park’s most breathtaking landscapes.


This intimate, 4-day workshop is limited to a small group, allowing for plenty of one-on-one guidance tailored to your experience level and photographic goals. Whether you’re looking to strengthen your technical skills, refine your artistic approach, or simply experience one of North America’s most inspiring national parks with fellow photographers, you’ll leave with new knowledge, lasting memories, and a portfolio of stunning images.


What to Bring

Equipment & Gear List

Notes

Please review our cancellation and refund policy as there are non-refundable and non-transferable fees.

 

About the Author

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Avatar Photo of Jennifer King Photo Workshops

Jennifer King Photo Workshops

North Carolina

I still remember what it was like to learn photography, and I remember the struggles. Why is an f-stop also called aperture? Why is exposure time also your shutter speed? Interchangeable words for the same photographic term can be confusing, not to mention frustrating when all you want to do is become a good photographer. I am sensitive to this and the insecurity it creates in your photographic journey. I’ve spent years refining how I teach photography—making both the technical and creative aspects easier to understand while creating a supportive environment where photographers can learn, experiment, and grow.

For more than 14 years, I have photographed and taught in landscapes I know intimately. Knowing these locations allows me to do more than guide you to a beautiful view. I can help you anticipate the light, recognize creative possibilities, and slow down long enough to make thoughtful photographs that feel like your own.

Since 1994, I have worked as an art director, creative director, and director of photography. These roles taught me how ideas develop, how individual elements come together to strengthen an image, and how to guide someone toward a creative solution without taking away their own voice. That experience continues to shape the way I teach today. I don’t want to tell you what to photograph—I want to help you recognize what draws you to a scene and express it in a way that feels personal to you.

Visit Website
BOOK NOW

16 May 2027 - 20 May 2027   | 7:00 pm - 10:00 am

$3000

Jackson Hole, Wyoming, USA

All Skill Levels

BOOK NOW

About the Author

VIEW PORTFOLIO
Avatar Photo of Jennifer King Photo Workshops

Jennifer King Photo Workshops

North Carolina

I still remember what it was like to learn photography, and I remember the struggles. Why is an f-stop also called aperture? Why is exposure time also your shutter speed? Interchangeable words for the same photographic term can be confusing, not to mention frustrating when all you want to do is become a good photographer. I am sensitive to this and the insecurity it creates in your photographic journey. I’ve spent years refining how I teach photography—making both the technical and creative aspects easier to understand while creating a supportive environment where photographers can learn, experiment, and grow.

For more than 14 years, I have photographed and taught in landscapes I know intimately. Knowing these locations allows me to do more than guide you to a beautiful view. I can help you anticipate the light, recognize creative possibilities, and slow down long enough to make thoughtful photographs that feel like your own.

Since 1994, I have worked as an art director, creative director, and director of photography. These roles taught me how ideas develop, how individual elements come together to strengthen an image, and how to guide someone toward a creative solution without taking away their own voice. That experience continues to shape the way I teach today. I don’t want to tell you what to photograph—I want to help you recognize what draws you to a scene and express it in a way that feels personal to you.

Visit Website